《白金杂志》的James Lee Tullis如此评论DiMichele的伪文档系列:「一个洞穴般的大厅里,被艺术所包围,甚至被艺术所淹没,这种梦幻般的效果在某种程度上也是令人不安的。这是由于DiMichele的模型十分写实,他能够精确地操纵光线和透视。这里有他对艺术的热爱,对戏剧的热爱,对建筑的热爱——但也有某种冷漠。正如艺术如此之大、之高一样,人类的形象也反之如此之小而脆弱,并屈从于艺术中所体现的人类愿景。 」
Eurospace Branches, 2014, Pseudodocumentation, David DiMichele.Broken Glasses, 2007, Pseudodocumentation, David DiMichele.Homage to Smithson, 2011, Pseudodocumentation, David DiMichele.Constructivist Space, 2008, Pseudodocumentation, David DiMichele.Apollonian and Dionysian, 2010, Pseudodocumentation, David DiMichele.Salt and Asphalt, 2007, Pseudodocumentation, David DiMichele.Lightrods, 2007, Pseudodocumentation, David DiMichele.Holes and Light, 2009, Pseudodocumentation, David DiMichele.Essence and Model, 2002, Pseudodocumentation, David DiMichele.Group Show, 2007, Pseudodocumentation, David DiMichele.
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